Let’s start with the Epistle, which clergy should ponder even if it’s not your preaching text this week, and the Gospel before my longer reflection on Jacob wrestling with… well, who was that? – which I’ll be preaching on, and I suspect you should too!
Romans 9:1-5. Michael Gorman introduces the section, Romans 9-11, noting how theological and practical it is: “It celebrates the mystery and magnificence of God’s mercy… It is not, however, for the faint of heart. It may be best to begin where Paul ends, ‘O the depth of the riches, wisdom and knowledge of God! How unsearchable are his judgment and how inscrutable his ways!” (11:33). Not bad to begin this sermon – or any sermon! – this way.
Notice Paul’s intense sorrow and anguish over
unbelief. What do I feel when I see it out there? I ignore it, or I’ve
normalized it – or I get frustrated. Paul issues “an outburst of sacrificial,
or cruciform love” (Gorman, noting Paul’s willingness to be cured – like Jesus
was [Galatians 3:11], and to forfeit his own salvation for them!).
Of course, Paul maybe doth protest too much:
“I am not lying!” So defensive! And yet so effusive in his adulation of Israel.
Anti-semites never read Romans 9: “To them belong the adoption, the glory, the
covenants, the law, the worship, the promises, the patriarchs.” Exactly. We
Christians would always do well to reflect with endless gratitude and joyful
solidarity with our Jewish neighbors.
Matthew 14:13-21. Jesus’ habit – that
he “withdrew to a deserted place” – is exemplary. Is he really “alone” in this “deserted
place”? Hardly! Solitude is being alone – and not alone at all, the antithesis
of loneliness, which can happen in a crowded, fun-loving room. Notice the
crowds heard of and invaded his private, quiet space. Always the way in
ministry, isn’t it?
Notice Jesus’ “interruptibility.” This is
the ministerial life, and also the ideal life of the laity, as we zigzag
between the discipline of time alone with God and then being willing to be
interrupted to respond to a person needing mercy. Jesus’ “compassion”: the
Greek, esplangnisthe, is so
evocative, meaning an inward turmoil, a twisting of the guts. Jesus really
feels what he feels for the people. He’s not ordering them around or judging
them; his entrails get all contorted, like a woman’s womb in labor.
Hard not to admire his reply to the disciples informing him of the obvious – that the crowd is hungry: “You give them something to eat.” Emphasis on the you. The 5 loaves and 2 fishes were commemorated in an unforgettable mosaic in the little church on the shore of Galilee. My questions, raised in a sermon I preached on this text in Duke Chapel a few summers back (which I’d commend to you as the best I have to offer), are Wouldn’t a better miracle have been to have produced just enough for the crowd instead of all the leftovers? What did they do with the leftovers? Worship the bread (in Catholic style)? Distribute it to the poor? Why the waste? Or is it a story that shows God’s lavishness, that God really does give us more than enough – what Sam Wells calls a “superabundance”?
At Duke I told about Dorothy Day giving away a big diamond ring to a poor person. Who says it should be sold and distributed according to the world’s calculus? Maybe God wants fabulous things for the poor as well. I’d encourage the preacher to think of moments of God’s superabundance. I told about an ordination I preached in Haiti. We had a lovely service planned, a nice dinner, and appropriate gifts for the ordinand. But we got the idea of loading extra suitcases full of Oreos for the kids (and grownup kids). It was a giddy feast, unexpected, yes a bit wasteful – but God’s like that, right? {Check out my daughter's painting of one child there!}
The leftovers simply amaze me. In my Duke Chapel sermon, I explored this at some length. Jesus should have dazzled them with precisely the amount of food needed! Or maybe he should have been like even our churches, giving them just a smidgeon to get by, questioning them sternly regarding why they were out of food….
But there is this lavishness, this bounty, this superabundance. Sam Wells has written so profoundly on this aspect of God’s nature, and what it means for us as a Church (in God’s Companions, for instance). Genesis
32:22-31. Sermons on this are so – personal? Here’s one I preached a
while back. It’s inspiring (and quotable!) to look to Frederick Buechner’s “The
Magnificent Defeat,” which I suspect is way better in the reading than in
the talking it out loud? Our text is one you just hear, stare at and then just
marvel. I’m not sure there’s a lesson or a takeaway at all. It’s Wow, what an amazing night for Jacob.
I’m tempted, as we all are, to psychologize. I dig Sara Bareilles’s song from Waitress – of a woman who’s lost her self somewhere along the way, like Jacob: “Most days I don’t recognize myself – I’m not anything I used to be… I still remember that girl: She’s imperfect but she tries, she is good but she lies, she is hard on herself, she is broken but won’t ask for help… she is lonely most of the time, she is all this mixed up and baked in a beautiful pie /Not what I asked for, sometimes life just slips in thru a backdoor, I would give it up for a chance to start over and rewrite an ending or two for that girl I knew.”
The Bible doesn't speak of not being the
person you used to be. But it gets at the heart of human existence, and is
"biblical" without being in the Bible - and the song is the sort of
secular song one could use in worship without needing to baptize it....
Edgy and aggressive, yet alienated and
floundering: Jacob gets jumped – or did he do the jumping? and he wrestles all
night with – God? an angel? A stranger? Himself? Preachers here can
just tease and ask, no need to answer, no need to choose.
I may open my sermon by telling about the Father's Day night I came home alone to a dark house. Everyone in my family had to be somewhere. I was feeling a touch sorry for myself. Unlocked the door, and before I could turn on the light, I was grabbed by a screaming man who wrestled me down. Terrified, it was only when he laughed that I knew it was Love that had attacked me in the dark. It was my son, who'd parked down the street and was determined to surprise me. Was I ever...
I
wonder what sudden assaults we undergo. There is actual assault, of course...
but then, the Pandemic? A sudden, unanticipated, unsought encounter with truth?
What about news, like "it's malignant," or "your dad died"?
- and you are face to face with horror, hope, death, life... God. Perhaps here
I will bring in the subject of the loss of my dad. Moments in history:
George Floyd's death said Now is finally the time to deal with it. Harvey
Weinstein's ugly story said Now is finally the time to deal with it. Jesus,
after all, was above everything else so very urgent in saying Now. Decide Now.
Follow now.
Can we read a text from the perspective of a hymn? Charles Wesley, before composing “Come, O Thou Traveller Unknown,” must have spent a lot of time ruminating on this story. Estranged from his brother for decades, with a troubled marriage, Jacob is alone, anxious, on the run, evidently thrashing up against the limits of existence.
He
can’t even get a good night’s sleep. Terror of all terrors, he’s tackled by…
well, it’s too dark to see. A robber? Is it Esau? An angel? God? The ambiguity
is the reality for Jacob – although the implication is that God is somehow,
mysteriously in the thick of this life-threatening assault. Wesley’s surprising
insight is that he imagines Jacob actually inviting the perilous encounter:
“Come, O thou traveler.” Come. Bring it on. Jacob never shrank from trouble,
and instigated plenty of it on his own. He’s a fighter, someone who weirdly
enjoys conflict. The Bible portrays a God who enjoys it as well. What an odd
religion Israel and then Christianity have: we argue with God; we can do combat
with the Almighty. God allows this. God welcomes this. God seems to want a
relentless, ferocious openness, honesty and grappling from us.
There may be something in here about how we think about strangers. A “traveler unknown” arrives in Jacob’s camp. Who are the strange travelers in our world? Rabbi Jonathan Sacks reads Genesis and Exodus as if God is telling the truth about the stranger to each one of us: “If you are human, so is he. If he is less than human, so are you. You must fight the hatred in your heart as I once fought the greatest ruler and the strongest empire in the ancient world on your behalf. I made you into the world’s archetypal strangers so that you would fight for the rights of strangers… Though they are not in your image, says God, they are nonetheless in Mine. There is only one reply strong enough to answer the question: Why should I not hate the stranger? Because the stranger is me.” Indeed, Wesley’s hymn presses the traveler: “Tell me if thy name is Love.” God is in the stranger. Love is in the surprise encounter in the dark. God is with Jacob – by being against him, by wrestling with him.
Jacob
doesn’t try to escape. The hymn grasps this: “With thee all night I mean to
stay and wrestle till the break of day.” Does Wesley’s hymn help us see this,
which might be implied in Genesis 32? Jacob has chutzpah, a cockiness that
dares to fight anybody, God included. And he fights even God to something of a
tie! And he isn’t merely a survivor. As always, he’s getting something to take
home: “I won’t let you go unless you bless me.” He had stolen the blessing from
his brother – and now he insists on blessing again. Is it a model for prayer:
we grapple with God, then we grab hold of God and won’t let go until we get the
blessing? Isn't Jacob the surprise winner of this nocturnal battle?
Just as the sun begins to rise, Jacob limps away from the scene. He is wounded, marked by the encounter. There are pains that come from our battles with life and God. Sacks speaks of “honorable scars.” In Graham Greene’s novel, The End of the Affair, a woman notices what used to be a wound on her lover’s shoulder, and contemplates the advancing wrinkles in his face: “I thought of lines life had put on his face, as personal as a line of writing – I thought of a scar on his shoulder that wouldn’t have been there if once he hadn’t tried to protect another man from a falling wall. The scar was part of his character, and I knew I wanted that scar to exist through all eternity." Jesus' scars persisted, and they still do. Jacob is scarred; he limps, his wound the badge of honor from having engaged mightily with the Almighty.
Jesus, we might recall, had scars after Easter, scars he earned when he gave life to all of us, not blotted out by the resurrection (John 20:27). Frederick Buechner envisioned this when he preached on Jacob limping away from his contest with God: “Remember Jesus of Nazareth, staggering on broken feet out of the tomb toward the Resurrection, bearing on his body the proud insignia of the defeat which is victory, the magnificent defeat of the human soul at the hands of God.” Genesis 32 isn’t about Jesus. Or to the eyes of faith, is it? Wesley’s hymn imagines an inquiry into the name of this nocturnal stranger, guessing that it’s Love – with a capital L – and finally, and delightfully concluding, “Tis Love! Thou diedst for me.”
I love the “I won’t let you go until you
bless me.” Is this the exemplary prayer? The blessing somehow though
is the struggle; the blessing somehow is the wound, causing him to limp
away. Buechner understood this so well. Sort of exposes those
“touched by an angel” stories as vapid; if an angel touches you, you’re
wounded.
And I love to play with Bible names. Jacob
would have been the Hebrew name of Jesus’ brother James. Did they ever
wrestle? What is it to engage with God, barely survive, and stagger
away? No simplistic prosperity Gospel here, and please don’t then simplify
or trivialize it. Watch Jacob in the shadows, and be lost in wonder.
****
Let me refer you to my Festival of Homiletics lecture, "Hope as Arsenic," on when we offer to much, or not enough, or the wrong kind of hope. Very important for us who preach!!
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